Friday, May 29, 2009

chelsea art






























this image from kim dorland is representative of his show currently up at freight + volume. some of the paint advanced 6" from the support and was held in place by long screws. the smell is the first thing that hit me, and then the excellence of the works themselves. i felt like this was very convincing work about our relationship with natural spaces and the misconceptions of the word "natural." another great show was jacob hashimoto at mary boone. these works behave like relief paintings on the walls. each piece is made up of hundreds of small wood and paper constructions, which resemble paper cocktail umbrellas or small kites. the image created by the conglomeration of these "kites" is saturated with color and feels claustrophobic. some of the images appear vaguely representational so that some figure/ground relationship can be discerned. for example, in one work smoke appears to be emanating from a smokestack or, in the one above, kites congregate at the bottom of the space revealing a field of red sky above. these were deeply compelling works, which ultimately left me pondering the issues of space and over-population. more info from these artists can be found at the galleries' websites:
http://www.freightandvolume.com/
http://www.maryboonegallery.com/

Tuesday, March 10, 2009

1st post

This blog provides a way to present and post updates on my current body of work, entitled "Promised Land." This work is an investigation of nature as seen through the lens of religion, particularly my personal experience with religion, which reveals not nature, but a hope for salvation, a fabrication of idols or a fulfillment of prophecy. At stake here is an intimate relationship with the Earth's true natural environments. Also at stake is an acceptance of responsibility for our influence, positive or negative, on these environments. In the gulf between the world around us and the world of our fantasies lies the suspended anticipation for the fulfillment of promise.